Upcoming Projects
THE
SEARCH FOR MICHAEL ROCKEFELLER
“My name’s Michael Rockefeller. Please help me!”
Michael Rockefeller, as reported by John Donahue to Milt Machlin, 1968
On November 11, 1961 Michael Rockefeller, anthropologist Rene Wassing, and two native boys left on a voyage down the coast of New Guinea from Agats to the cannibal villages of the Asmat interior, in a heavily laden trading canoe. Several miles off shore, heavy seas swamped their top-heavy craft, off the mouth of the Eilanden River. After a night adrift clinging to the wreckage, Rockefeller set out to swim for the distant shore, leaving Wassing with the fateful words:
"I think I can make it…"
He was never seen again.
The disappearance of Michael Rockefeller is one of the enduring unsolved mysteries of the 20th Century. The Search For Michael Rockefeller, the best-selling book by journalist and Argosy magazine editor Milt Machlin, tells the true story of the disappearance of Michael Rockefeller in the jungles of New Guinea in 1961, and Machlin’s epic search for him seven years later.
Fortunately for us, Machlin took a cinematographer on his expedition, along with two 16mm cameras and several rolls of film. For unknown reasons, this color 16mm footage has lain dormant for forty years, gathering dust in a vault in New England, until it was unearthed in 2008 by film-maker Fraser Heston, while researching a screenplay on Milt Machlin.
Fraser Heston and producers Alex Butler and Heather J. Thomas, along with editor Ted Hughes, will complete Milt Machlin’s true-to-life adventure documentary, shot in New Guinea in 1968. Now in post production, Milt Machlin’s remarkable film will finally be completed and released to the public by Agamemnon Films in the fall of 2009.
DEMILLE DIRECTS
The true story of how three men, a Polish glover named Samuel
Goldfish, New York lawyer Jessie Lasky, and a failing Broadway
director named Cecil B. DeMille came to a small dusty farm town
outside Los Angeles to evade the thugs of the Edison Trust and
make the first feature length motion picture - THE SQUAW MAN -
and invented "Hollywood" in the process.
This charming, intelligent and funny screenplay is written
by Steve Paolozzi. Alex
Butler will produce and Fraser
C. Heston, who began his career working for C.B. DeMille
as the Baby Moses in the 1955 TEN COMMANDMENTS, directs. "I
took to this script the moment I picked it up, and fell in love
with it in the first ten pages," says Fraser. "As it
happens, I may be the last actor to have ever been directed by
C.B. Demille, so I guess it's only fitting that I direct this
loving homage to the visionary men who invented Hollywood movies
as we know them."
MOSES - Animated Feature
I am a man of many lifetimes. Born a slave. Raised a prince.
Criminal. Wanderer. Shepherd. Prophet. Servant of God. In the
end, all any man truly amounts to, all that he has, are the stories
of his life. I am Moses. This is my story.
So begins MOSES, the story of a prophet sacred to three religions,
and perhaps the greatest story of all time.
As a follow-up to this year's successful release of the Agamemnon
Films - Good Times Entertainment production of the animated BEN
HUR, it was only natural for Agamemnon to develop an animated
version of this Biblical classic. The script, by veteran screenwriter
Jerome Gary (who penned the BEN HUR script) and Ben Engel is a
fresh look at the life of Moses, who narrates his own story. Drawing
primarily on references from the Five Books of Moses in both the
King James, New Standard and Hebrew Bibles, the script has many
scenes which have not been seen before on film, making it both
fresh and familiar at the same time.
Like BEN HUR, and the highly successful Agamemnon docu-drama
THE BIBLE, which has sold over five million copies on DVD and
video-cassette, this production is designed to appeal to families,
children and adults alike, across a broad spectrum of demographics,
religions, and cultures the world over.

2002, animated feature, Good
Times Entertainment/Agamemnon Films
The project, currently in production, is directed
by Tundra Production’s William R. Kowalchuk, who is also producing
the film with Agamemnon’s John Stronach.
Fraser C. Heston will serve as Executive
Producer for Agamemnon and Seth Willenson as Executive Producer
for Goodtimes.
The screenplay was written by veteran screenwriter Jerome Gary,
adapted from the novel by Lew Wallace.
The feature-length animated film is being
developed by Tundra in classic 2-D animation, with 3-D backgrounds,
combining the best of traditional animation techniques with new
technology and state of the art 3D animation techniques, including
historically accurate CGI recreations of famous settings such
as ancient Jerusalem and a complete Roman galley.
Read Press Release here
LOT 249
A horror-thriller set in contemporary Oxford, based on the
short story by Sir Arthur Conan Doyle, the script is written by
Joel Newman. This updating of a classic is an edgy, macabre and
witty take on what may be the first "mummy" story, penned
by the prolific Conan Doyle at the end of the 19th Century. "This
story is both genuinely terrifying and a romp from start to finish,"
says screenwriter Joel Newman, who adapted the short story for
the screen. "It grabs you from the very first page and never
lets you go."
Director Fraser Heston, who also directed the Sherlock Holmes
tale CRUCIFER OF BLOOD for TNT, as well as Stephen King's NEEDFUL
THINGS for Castle Rock entertainment, agrees. "Conan Doyle
is a timeless writer of the macabre. Authors like Doyle and Poe
literally invented the genre. Updating his classic for contemporary
audiences will be a pleasure. I can't wait to get my hooks into
it!"
VOYAGE
FOR MADMEN
On April 22, 1969 -- three months before Neil Armstrong's walk
on the Moon -- the world watched as a small sailboat came ashore
at Falmouth, England, completing a voyage of astonishing courage
and endurance that would forever alter our ongoing adventure with
the sea. Ten months earlier, nine very different men had set off
in small and ill-equipped boats, determined to do the impossible:
sail around the world alone and without stopping, to win the race
dubbed the Golden Globe. Only one of the nine would cross the
finish line -- to fame, wealth, and glory. For the others, the
rewards would be despair, madness, and death.
The men were inspired by Sir Francis Chichester, who had become
a national hero in Britain for stopping only once (in Australia)
while sailing alone around the world. Suddenly what had seemed
impossible-to circumnavigate the world alone and nonstop -- now
appeared within reach. For nine driven men -- among them Robin
Knox-Johnston, a young Merchant Marine captain; Bernard Moitessier,
a French mystic; Donald Crowhurst, a brilliant, troubled electrical
engineer; and Chay Blyth, an Army sergeant who had rowed across
the Atlantic in 1966 but did not know how to saila gauntlet had
been thrown down, a challenge they found themselves overwhelmingly
and inexplicably compelled to accept.
Though the Golden Globe race was the progenitor
of (and inspiration for) the Vendee Globe and the Race of the
Millennium, its participants had more in common with Captain Cook
and Ferdinand Magellan than with today's high-tech sailor. There
was no satellite navigational system, no onboard computer, no
cell phone or fax line connecting them to the world beyond --
or to possible rescuers. They survived on their wits and ingenuity,
navigating by sextant, sun, and stars. Their most sophisticated
technology -- when it worked -- was a radio.
A Voyage for Madmen is a remarkable story
of individuals against the sea, of men driven by their dreams
and demons to live for months on end in a cabin roughly the
size of a Volkswagen. To succeed they must endure the harshest
of weather; stave off unimaginable loneliness in the forbidding
Southern Ocean; navigate unassisted through the world's most
treacherous waters off the Cape of Good Hope and Cape Horn;
and, time and again, face -- alone -- those fateful moments
when a single decision could mean the difference between life
and death.
With a novelist's eye for detail and a seaman's
knowledge of the joys and perils of blue water, Peter Nichols
has crafted a classic tale of endurance and adventure -- a fitting
chronicle of how these obsessed sailors, "in their puny
and inadequate boats, undertook the last great maritime feat...and
how, one by one, the sea cut them down."
JEWEL OF THE SEVEN STARS
With his producing partner, Alex Butler,
Fraser continues to develop projects at Castle Rock Entertainment,
with the JEWEL OF THE SEVEN STARS,
a contemporary adaptation of Bram Stoker's gothic Egyptian thriller,
which Fraser and Alex are also scripting.
Inquiries about these Upcoming
Projects can be sent via e-mail to: exec@agamemnon.com
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